The Museum of Contemporary Art Zagreb

Philip Corner (New York, USA, 1933)


Installation; piano, hay, cap

varying dimensions (ca. 130 x 170 x 250 cm)

The purpose of installations such as Piano-Bed is to bring a possible “source” of sound as close as possible to the public, exposing it to all its senses and stressing the subtle sensuality of the objects Corner operates with.

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