The Museum of Contemporary Art Zagreb
Philip Corner (New York, USA, 1933)
Installation; piano, hay, cap
varying dimensions (ca. 130 x 170 x 250 cm)
The purpose of installations such as Piano-Bed is to bring a possible “source” of sound as close as possible to the public, exposing it to all its senses and stressing the subtle sensuality of the objects Corner operates with.
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