* The exhibition opening is at 7 p.m.
The Museum of Contemporary Art presents a solo exhibition by Jan St. Werner, a researcher, sound artist, and composer of electronic music, titled Vibraception – Investigations in Wavespace. The exhibition transforms the museum space into a sound environment, using sound as a tool to activate both space and architecture. Precisely directed sound waves shape the environment, creating dynamic soundscapes that change depending on the movement of the visitors. Within the interior of the Museum, panels are installed that, by directing sound waves, create unpredictable resonances and changes in the perception of the building’s architecture, building upon the interactive sound panels of the author’s Excitatory Yards work displayed on the MSU plateau in September 2024.
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The project Driant Zeneli has created for the Museum of Contemporary Art in Zagreb centres around a wondrous and touching film about uncanny lovers, made in the midst of the lithium mining crisis and fight for environmental and ecological justice in the Western Balkans. The central protagonist of the narrative is a small leaf embodying the fragility and vulnerability of the modern man. Driant Zeneli uses the image of the love-obsessed leaf as a metaphor of complete openness and vulnerability, but also as, paradoxically, a daring hero who uncompromisingly follows his vision regardless of the loss of illusions during his mission.
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The two main views of the future are often mutually exclusive; the first is based on progressive advancement and growth, while the other one sees this advancement and growth as a threat to the planet and all living beings. Already from these different views, we can conclude that the future before us is not a single one; rather, there are several possible futures and hence, we do not speak of a “future,” but rather of the “futures.”
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'Comradeship' exhibition is the second in a series called Collection as a Verb, which we are doing as a team, to redefine the concept of a museum and the social context in which it is located. After the the first exhibition – 'Sad Songs of War', about war and violence, 'Comradeship' opens up the themes of solidarity and compassion, the role of art and museums in improving the world. The word 'camaraderie' has the same root as society, and comrades are connected by affection, cooperation, connection with an idea or work.
That's why 'Comradeship' presents works from the collections of Museum's art collectives, as well as works by artists realized in cooperation with various communities. Ranging from today's canonized neo-avant-garde to recent participatory research, 24 artists and art collectives show the innovative ways in which they can contribute to change, and even improvement, both for individuals and communities.
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The first sequence of presenting works from the fundus of the Museum is conceived as an answer to the current situation. It is a desire to express solidarity and empathy with the country undergoing a tragedy similar to that which is still fresh in our memory. The exhibition was named after the sound work by the Lithuanian artist, Deimantas Narkevičius, produced in 2014 in the period of the first protests, unrests, and plights in The Ukraine, on the Independence Square in Kyiv.
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