Vlatka Horvat’s Good Company presents a selection of works from the museum's Sculpture collection through the lens of the artist’s practice.
In the space of the exhibition, small groups of works from different eras and artistic movements are placed in dialogue with each other. Figurative pieces and abstract works sit side by side, and their spatial arrangements underscore contrasts and connections between different formal gestures and sculptural materials. Horvat’s selection and presentation of works offers a playful, dynamic view of the grouped sculptures, their relations, connections and possible interpretations.
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* Opening: 12/9/2023, at 8 pm
The Motovun Encounters is an international group exhibition dedicated to the research of artist encounters in Motovun. Taking a retrospective view of the history of The Motovun Encounters, and relying on museum documentation, archival materials and selected works of art from different museum collections, it gives an overview of the international manifestation, contributing to its research valorization and contextualization
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Taras Gembik, Yulia Krivich, Kaja Kusztra / The "Sunflower" Solidarity Community Center
„We chose to carry out a performative reenactment of the 1981 Vlado Martek work, Capable of Idealism (Sposoban za idealizam). In our performance, Martek’s practice of visualizing poetry turned into a starting point for posing questions about sharing profits, power, and pleasures in the institutional space. Social structures in an art institution can be questioned using critical methods, but can they be consumed together?
In the last few years, in his artistic practice, Željko Beljan has been focusing almost exclusively on handicraft and its position in contemporary artistic practices, where he explores craft techniques as an artistic medium. Traditional handicraft techniques have been rooted in his family for generations, and have been present in his life from his early years. But it was only through his research of the contemporary craft that he realized its strength and interesting position at the dividing line between everyday functional objects and artistic objects. The Arcades Project arose as a result of his interest in a wide range of materials in the context of a practice dedicated to handicraft—in addition to his work with textiles, while creating board games, he works with wood by hand, where he explores the relationship between handiwork and amateur, hobbyist participation in sports (and games in general), placing an emphasis on the participation and involvement of the audience in the realization of his works.
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Modern Contemporary / Collection as a verb: Triggers
Modern Contemporary builds upon the first exhibition from 1955 with which the City Gallery of Contemporary Art (today's Museum of Contemporary Art) started its exhibition activity. It was an exhibition from the holdings which presented a selection of the first acquired works.
The exhibited works had been purchased from exhibitions and studios during 1954 and 1955. The gallery’s acquisitions strived, in line with their possibilities, to follow, i.e. document the dynamics of contemporary art life. The exhibition was complemented by several older exhibits, which laboured towards contemporary European painting of the time or spoke about individual authors’ typical stages.
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Works of Heart (1970-2023) is the first major museum survey of one of the most important Croatian artists, Sanja Iveković, in her city. The exhibition is a collaboration of the Museum of Contemporary Art in Zagreb with Kusthalle Vienna, where it premiered last year. Although the two exhibitions share the same title, the Zagreb exhibition is larger and adapted to the specific space of the Zagreb museum. It also includes a new part conceived as an archive entitled Meeting Points: Documents in the Making, 1968-1982, specially curated for the occasion by Ivana Bago.
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The title of the exhibition, "In the Days of War," was taken from a painting by the prominent socialist realist Geliy Korzhev (1925-2012). The artwork, also titled "In the Days of War," marked a significant milestone in the artist's career was completed in 1954. It was during this year that the City Gallery of Contemporary Art (later known as the Museum of Contemporary Art) was established in Zagreb by a group of artists and cultural innovators. These events occurred one year after the death of Joseph Stalin and two years prior to the 20th Congress of the Communist Party of the USSR, which is renowned for Nikita Khrushchev's "Secret Speech" denouncing the personality cult and dictatorship of the former Soviet leader.
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The inter – institutional project and exhibition The Visible Ones represents more than eighty female authors, studies and indicates the pronouncedly low representation of women artists in art collections of museum institutions, and also presents certain aspects and mapping of the contemporary artistic practice of women artists in Croatia.
With this project, we seek to indicate the contemporary fine art production of women artists, which is marked by great achievements, but is nevertheless insufficiently visible.
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The razor wire is one of the most gruesome symbols of fortifying the borders of the European Union. Unlike barbed wire which is designed to prevent movement, the razor wire was created using galvanized steel with the sole intention of maiming. Thousands of people on the move have lost their lives while trying to bypass the borders of the European Union by drowning in the Mediterranean Sea, suffocating in the trucks of smugglers or perishing on the razor wire that surrounds Europe.
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A selection of paintings from Ivica Malčić’s new cycles is a result of his ongoing activity and painterly transformation of daily life. It is also part of Malčić’s long-time artistic concept – his attempt to make at least a hundred new paintings every year.
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